I started off with a pencil scribble.
Then I filled in the interior of the
coffee-mill with Sennelier neutral greys, and the exterior with Rembrandt light
greys. The wooden box, and the handle,
were mainly painted with CarbOthello pencils.
For the ewer, the silver top and the base
were a mix of Rembrandts, and CarbOthello pencils 704, 708 and 728 - I
found number 704 especially useful.
The blue markings on the porcelain were a
mixture of dark blues from Sennelier
465; CarbOthello pencils 770, 400 and 430; and Derwent pencils ultramarine 29D
and 29 F.
The porcelain itself was mainly Rembrandt
light greys, with some petit-Roché neutral-pale tones. But I mostly kept the
Rochés for the lace, with Sennelier neutral greys too, mostly in the shadows.
I started the background with Sennelier dark blue 177.
Backgound continued with Sennelier dark blue 463 at the bottom with an overlay of Sennelier green 156. White was reserved exclusively for the
highlights.
Coffee in Style, pastel on Pastelmat, 50 x 60 cms.
Coffee in Style, pastel on Pastelmat, 50 x 60 cms.
Coffee in Style © Niall O'Neill |