Using an editing program, I reduced the photo to 16 colours - I call this process the "digital squint" - equivalent to squinting your eyes to simplify an image and better determine the values.
Working from top left, I started painting the corner of the tray, and the copper tea-urn. Rembrandt umbers were very useful.
More pots worked on, and the lemon - what's tea without a lemon?
The copper tea-pot on the right had it's own colour swatch and subset of pastels:
Tray background begins to get filled in. I use glassine paper to protect areas already completed as I work.
Intricate detail of tray worked with various pencils and sharpened Rembrandts:
Reflections painted, final tweaks- signature! Pastels used were Rembrandt, Sennelier, Blue Earth and Roché.
Brasserie - pastel on Pastelmat, 17.5 x 26.5 ins, 45 x 58 cms
Brasserie © Niall O'Neill

Bravo pour votre travail, notamment la décomposition des couleurs pour réaliser vos pastels. Belle technique et "Brasserie" est une superbe composition.
ReplyDeleteMerci Brigitte! C'était assez difficile, et je ne vais jamais le vendre!
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