Turkish Delight © Niall O'Neill |
The design was sketched out on light tan Pastelmat, 15.5 x 12 ins, and the underpainting developed in its basic tonality.
Once the brass charger was developed in shades of blue and green, the spire of the rosewater sprinkler was delimited by the dark blue that would become the background.
The underpainting, done in hard pastels and pencils, was now developed further with a selection of Sennelier and Jackson soft pastels, with ochres and yellows glazing the blue and green undertones.
Further infill of the background allows me to estimate the relative values of the piece overall. I have worked from left to right, and top to bottom. The sweets were underpainted with yellow and pinks, and very pale tints of these colours were glazed on top. Some almost-white pastel was scraped and drifted over the sweets to create a sugary effect. Some loose pieces of "sugar" fell onto the plate. The background dark was intensified. Only the reflections of the plates remain to finish. Meanwhile the sugar/oil in Turkish Delight has been absorbed by the paper bag and unfortunately has become inedible!
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